Art Institute of Chicago
The Harrowing of Hell - Christ in Limbo, plate nine from The Large Passion
Albrecht Dürer
- Date
- 1510
- Medium
- Woodcut in black on ivory laid paper
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
This woodcut was part of Albrecht Dürer’s famous series of 12 prints detailing the Passion of Christ. Published in 1511, the prints illustrated a text by the monk Benedictus Chelidonius. The Harrowing of Hell occurred immediately after Christ’s crucifixion, when he descended to hell to release the good souls who had died prior to his own death.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

Christ in Limbo
Minneapolis Institute of Art
Harrowing of Hell; Christ in Limbo, from The Engraved Passion
Art Institute of Chicago

The Crucifixion
Minneapolis Institute of Art
The Harrowing of Hell, from The Large Passion
Art Institute of Chicago
Christ, Man of Sorrows, Mocked by a Soldier, frontispiece from The Large Passion
Art Institute of Chicago

The Large Passion: Christ Descending into Limbo
Cleveland Museum of Art

Christ as the Man of Sorrows with a Soldier
Minneapolis Institute of Art

La Passion de Notre-Seigneur Jésus-Christ
Getty Museum

The Large Passion: The Crucifixion
Cleveland Museum of Art

The Passion: Christ in Limbo
Cleveland Museum of Art

Descent into Limbo
Cleveland Museum of Art
Christ into Limbo, from The Fall and Redemption of Man
Art Institute of Chicago