Art Institute of Chicago

Lady Filmer in her Drawing Room

Mary Georgiana Caroline, Lady Filmer

Date

1863–68

Medium

Albumen prints, collage and watercolor

Culture

England

Department

Photography and Media

Institution

Art Institute of Chicago

In Victorian England, aristocratic women produced new meanings for photographs by cutting them up and pasting them into elaborate watercolor scenes. Lady Filmer employed photocollage to bolster her position in society. Here she placed herself at the heart of a gathering of fashionably attired friends and family, making a photocollage album—that is, performing the very activity that produced this work. The composition revolves around Filmer’s most important guest: Albert Edward, the Prince of Wales, with whom she certainly flirted and may even have had an affair. The prince is shown leaning against the table, his hat at a rakish angle and waistline trimmed flatteringly by Lady Filmer’s knife. By contrast, her husband, Sir Edmund Filmer, is shown in the lower right—near the family dog.

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