Art Institute of Chicago
Bather With Outstretched Arms (recto); Study of a Tree (verso)
Paul CézanneLinkedCulture matchlcp-84594e346d8b
- Date
- 1874/77
- Medium
- Graphite on cream laid paper (pieced)
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 202383
In the 1870s Paul Cezanne took up the subject of bathers, an interest that persisted until the end of his career. The artist did not use live models; his impetus was more conceptual than naturalistic, and he treated the human figure above all as an exercise in formal composition. This drawing derives from a group of studies and paintings that feature a single male bather with one arm rigidly outstretched. While the figure’s unconventional pose defies ready explanation, it was inspired by an ancient Roman sculpture of a dancing satyr in the Louvre Museum, Paris. Cezanne’s staccato lines, although they appear quick and spontaneous, were in fact applied carefully and methodically as he slowly explored his subject, endowing his bather with a monumentality that belies the drawing’s modest dimensions.
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Provenance & credit
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- Credit line
- Gift of Richard and Mary L. Gray
- Provenance
- The artist's son, Paul Cézanne (1872-1947), Paris, to at least 1936 [Basel 1936]. Jacques Dubourg (1897–1981), Paris; by descent. Sold, Christie's, London, Feb. 5, 2004, lot 312, to Richard and Mary L. Gray, Chicago; given to the Art Institute of Chicago, 2019.
Linked open data
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- Object type
- AAT300033973
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