Art Institute of Chicago
New patented umbrella, with an improved spring system, to swiftly open at the slightest touch.(please refer to our advertisement in the matter), plate 33 from Émotions Parisiennes
Honoré Victorin Daumier
- Date
- published 1842
- Medium
- Lithograph in black on ivory wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
After French censorship laws tightened in 1830, Daumier was obliged to shift the focus of his caricatures away from the rule of the unpopular King Louis Philippe. Instead he turned his attention to scenes of everyday Parisian life, often set on street corners. Artists and critics of the time praised Daumier for his skill as a draftsman, visible here in the subtle modeling and shadows used to construct an unlucky Parisian’s crumpled umbrella. Daumier further enhanced the atmospheric effects of the rainy scene by scratching lines of rain onto the printing block, rather than drawing them with a lithographic crayon.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités
Art Institute of Chicago

So you want to meddle with the press!
Minneapolis Institute of Art
Robbed! Empty-Pocket Street..., plate 13 from Émotions Parisiens
Art Institute of Chicago
“- Ah yes, those comets, they always predict great misfortunes. It doesn't surprise me at all that poor Madame Galuchet suddenly died last night,” plate 573 from Actualités
Art Institute of Chicago
Relaxation during the dog days, plate 33 from Les Bons Bourgeois
Art Institute of Chicago

Rue Transnonain, April 15, 1834
Cleveland Museum of Art

Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari
Minneapolis Institute of Art
A Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from Caricaturana
Art Institute of Chicago
Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités
Art Institute of Chicago
An Unpleasant Aspect of the New Type of Omnibus, plate 13 from Croquis Parisiens
Art Institute of Chicago
The Poster Man, plate 17 from Bohémiens de Paris
Art Institute of Chicago
New Fashion of the Half-World. Reappearance of the baskets – it seems that these ladies are not yet quite done with their harvest, plate 295 from Actualités
Art Institute of Chicago