Portrait of Fridrich Rorbach

Art Institute of Chicago

Portrait of Fridrich Rorbach

Conrad Faber von Creuznach (German, c. 1500–by 1553)LinkedCulture matchlcp-d58b14eaa090

Date
1532
Medium
Oil on panel
Culture
Germany
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
21672

From the Art Institute of Chicago record

This portrait would have served as a document of a marriage. Friedrich Rorbach’s name, age, and coat of arms, along with the date, are painted on the back of the panel, which was originally paired with a portrait of his wife, Katherina Knoblauchin, now in the National Gallery of Ireland. The two portraits share the same background— a fanciful mountain landscape. Conrad Faber, who worked in Frankfurt-am-Main, specialized in portraits depicting the patrician elite of that prosperous city. In the early 16th century, the energy and self-confidence of the many courts and free cities loosely united in the Holy Roman Empire brought about an artistic flowering in Germany.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.loV1MNTtJE8FOJFT._nL2sc4JYzTyyd8G2n78PRJ6dijy-opgCLJB8u-jTdcjvX80_yGT04OpcU-BJ47Z3z8XR-6_7FdXe-t3NGJZBx39vML9HGVKupTfD4tX77LS4xVrxnNxPQ_4BWT8X0p-y1dQXfnPUuLWodwnIUgEBxFJCm09cInwYiqYgbTM0YgfrQALs7YEqpAmJUGsYCjTOXM2WJei84P9NU2e-P5QEw72QWUyVBA1_rwOi-p4Norf0VMn2lJIk-ulvxp4EHbatl753A8XDXoRjfSZB1DvaQyISee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.5sS-estW2w81EMoM.6drZNumupFshlSsKxqvsM5JwZB010i6CppkVLkw5PrISpvFMW8IYmV9YMAyQLycXpbAsjutUjXVpnBZdzwQMV3jGNugY3GGjiESC41zeNwJmOia6CKf5kHQgGUJzXYos-v6zhfCcHWRwQCzTqzYOQIZNE6Knv6ryWt-SMdCjI_dCo1UYpbDFXikbegyb0LQNISrm0VpnppL4dYha18-Sv6YMstrnRCjWArXj_6SBQM0Xh0lVKXndG52-CSM4NN8cgaC6ecLWNXHv7Fc5tCeVZw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Charles H. and Mary F. S. Worcester Collection
Provenance
Henry Farrer to 1866; sold Christie's, London, June 15-16, 1866, no. 288, as by G. Penz, to Bodley for £14 4s. 6d [according to annotated sale cat. at the Getty Research Institute]; by descent to Miss I. A. Bodley of 28 Marlborough Road, Bournemouth by 1930; her sale Sotheby's London, May 14, 1930, no. 32, as German school, sold to Hugo Perls, Berlin [email of March 31, 2005 from Henrietta Roberti, Sotheby’s; it is possible that Goudstikker was a part owner, since he is mentioned as purchaser in the 1938 Worcester catalogue]. J. Rosenbaum, Frankfurt, 1930 [as per Zülch, 1935]. J. Goudstikker Kunsthandel N. V., Amsterdam, by 1935; bought from Goudstikker by Charles Worcester, Chicago, for the Art Institute, in 1935.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Part of a LinkedCulture topic

  • Representative object from the topic 18th-19th Century European Portrait Miniatures
    18th-19th Century European Portrait Miniatures

    These objects are predominantly portrait miniatures and small-scale portrait paintings from Central European and Russian courts, created between the 18th and 19th centuries using techniques such as watercolor on ivory, g

    146 objects from 4 institutions

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.