Art Institute of Chicago
Actors Arashi Sangorô II asMinamoto no Yoritomo and Segawa Kikunojô II as the Snow Woman in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Myôto- giku Izu no Kisewata”)
Ippitsusai Bunchô
- Date
- About 1770
- Medium
- Color woodblock print; aiban
- Culture
- Japan
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
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- Object type
- AAT300041273
Related across collections
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Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi Sangorô II as Minamoto no Yoritomo (Right) in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Miyoto-giku Izu no kisewata”)
Art Institute of Chicago
The Actor Segawa Kikunojo II as Yuki Onna (the Snow Woman) in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month
Art Institute of Chicago
The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770
Art Institute of Chicago
The Actor Segawa Kikunojo II as the Heron Maiden in the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770
Art Institute of Chicago
The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actor Yoshizawa Ayame IV as Yadorigi, the Sister of Nikaido Shinanosuke, Disguised as Orie, the Wife of Aoto Magosaburo, in Part Two of the Play Motomishi Yuki Sakae Hachi no Ki (Looking up at Falling Snow: Thriving Potted Trees), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1778
Art Institute of Chicago
The Actor Bando Mitsugoro I as Abbot Saimyo-ji Tokiyori, Disguised as a Monk, in the Joruri "Onna Hachi no Ki" (A Female Version of "The Potted Trees") from Part Two of the Play Onna Aruji Hatsuyuki no Sekai (A Woman as Master: The World of the First Snow), Performed at the Morita Theater from the First Day of the Eleventh Month, 1773
Art Institute of Chicago
The Actors Ichikawa Somegoro (right), Segawa Kikunojo II (center), and Bando Sampachi (left), in Unidentified Roles in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Art Institute of Chicago
The Actor Sanogawa Mangiku as a woman walking in the snow
Art Institute of Chicago
The Actors Otani Hiroji III as Kawazu no Saburo (right), Segawa Kikunojo II as Princess Tatsu (Tatsu Hime) (center), and Nakamura Sukegoro II as Matano no Goro (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Art Institute of Chicago