Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

Art Institute of Chicago

Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)

Theodoor van Thulden (Flemish, c. 1606-1669)LinkedCulture matchlcp-7544ee40902e

Date
1642
Medium
Engraving, with etching and plate tone, in black on cream laid paper
Culture
Flanders
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
225660

From the Art Institute of Chicago record

On the occasion of Cardinal-Infante Ferdinand’s triumphal entry into Antwerp in 1635, Peter Paul Rubens designed temporary arches and stages to decorate his procession route through the city. Triumphal processions of this kind were common forms of political theater, enacted to consolidate the power of a regent or monarch. The stage in memory of Isabella Clara Eugenia (2015.11) served to reinforce the dynastic transfer of authority from Ferdinand’s predecessor, who had governed the southern Netherlands from 1598 until the time of her death in 1633. The central image of the stage in her honor, enlarged in the accompanying print (2015.12), shows Ferdinand’s appointment by Philip IV, while the flanking columns represent effects of good government—public health and public safety.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.hregcRfboT_NxZX0.-jrN7e4IMqU20-D6VzGBtXMzOZCvn1kS4f6g9Rg_KDbCoAeJPIQhBPcaP8pdmzrBUUw-nGe4TF19CkPwZ2M4uhMJZPHSbuu-JU-Jja6cMsY7v1s65PFcRKDJuBVqP8GbZMCOaaoq4Jdgmd7nLsKYwfljb2mxiG1sWDy4Zk6d0Nqg-9eWNQlL7YJXPUaU6xDgn-wrsU02jJL4RFzSLc9R6K4ZMHtSsjkiYvZM94IzJPBh9KaJseyrJpAXY7CsPx3fVFUcuFSo_pNW_9-Bl2eFo933FFk6See at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.UtcfMEroPjt-SpbP.fLrDY6XeSqUte99lMuQcyAnhEElV9PkoXlNowhVw6oiXCSVFAPl8TdBZofP909I8otX5wXlm97yi2MhKhVMsmrOgxQpUH90GuvyL6o7I_ZmF_GV1QgeWHS_fSMK7Qc_6ROn2T6aBTJ0LtgRXMITLs1UyclbLA3fo_CYsPOoBk9m98eN0szEYIOd5HqKvHegNpNcBcofmr3fkMV4jI7tX532HbUtLzhMQaZbxowhuWewedUk4RgpPXoiWkAJR_lkMMf1oJGR7S1TsXP96a3C4Rg-ofA
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
The Joseph Brooks Fair and Hannan funds

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300041273

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.