Art Institute of Chicago
The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519)
- Date
- 1491
- Medium
- Woodcuts on ivory laid paper
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Scourging of Christ (verso); The Israelites Enslaved in Egypt (recto), pages 70 and 69, from the Treasury (Schatzbehalter)
Art Institute of Chicago
The Fall of the Rebel Angels
Getty Museum
The Fall of the Rebel Angels
Getty Museum
The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)
Art Institute of Chicago
The Meeting of the Three Kings, with David and Isaiah (recto); The Assumption of the Virgin (verso)
Getty Museum
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Art Institute of Chicago
The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Art Institute of Chicago
The Fall of Babylon
Getty Museum
Die neue Sommerzeit (The New Summertime) (recto) and The Ride (Die Fahrt) (verso), page from Der Bildermann
Minneapolis Institute of Art
Title page from Illustrations of the Book of Job
Minneapolis Institute of Art
Standing Angel (recto); Study of Face and Drapery (verso)
Art Institute of Chicago
The Deaths of the Blessed Ugoccione and Sostegno (recto); A Study of the Farnese Hercules (verso)
Getty Museum