Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso)

Art Institute of Chicago

Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso)

Jacques-Louis DavidLinkedCulture matchlcp-abacad3af207

Date
1796/97
Medium
Black chalk and pen and black ink, with touches of white chalk (recto) and black chalk, with touches of red and white chalk (verso) on cream laid paper, pieced
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
244916

This large, bold drawing is a preparatory study for the painting The Intervention of the Sabine Women. In the legendary origin story of ancient Rome, the city’s founder Romulus and his men sought to establish families by abducting the neighboring Sabine women and forcing them to become their wives. When the vengeful Sabines declared war on the Romans, Romulus’s wife and the other Sabine women threw themselves and their infants between the two armies and successfully stopped a war. The subject allowed Jacques-Louis David, who conceived of it while in prison for his activities during the French Revolution, to deliver a powerful postrevolutionary message of political and familial reconciliation.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.qzfec-R3dI6S6-Fx.dVABV1UMDI2uiFTxj_ci01TN1u7bUZ2wAQ9qPw_9CFpEOgY9r-W7aIDKMFtd0U8dli1CzJ-J6BDUvBBxWGefYYqU240LWwQuOrOYf4ne6tVJMU9ehHo9lN_eiVzD47hmGxqHHx-AyhJ0BnT-SAqAJkn_mBu6a_kWLdGeGWD-dHAJsosdX951H-P_gOKTUkxOBEN1Ucn1oKFV2baGxJbg6YmowED5QdvMae-b0Oj8bKKhPuiM89xw7YdG30JW6Sb3RguWSEYWd9x95Qr2BQ1bwimPudeXSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.m4_BLV8OpcGAh-9l.da-NbfolfLwQT7COKy107gDz8KBYk24CZMl-28PXU6zSRK6FhNdsmdiP4VcUbJzCSCVcf1aoJXMomPUYfinHXZK1Wy7VwpvwhWpPhWzgQeoPbeztT33t53EX_VwWo6FPS6BO1FEqLmLB74s9pFyZR-EmDuR0x5quXTnfStGZg6lbCvsXrVT3mWnBXYfD_AnsaMDAIFDQxYXkNI-_yKXMWbJBbFW27EnVZ8eghszu_x0inBegpZ35J7q4j5iCbXWUq211JW9lVOTDNyK3IAs6B8N3oQ
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Richard and Mary L. Gray
Provenance
Private collection, Switzerland; sold, Christie’s, London, Dec. 6, 1972, lot 165, to Stella [according to sale price list]. Sold, Christie’s, London, July 5, 1988, lot 141, to a private collector; sold, Sotheby’s, New York, Jan. 28, 2015, lot 156, through François Borne to the Gray Collection Trust, Chicago; given to the Art Institute of Chicago, 2019.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033973

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.