Art Institute of Chicago
Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
- Date
- c. 1560
- Medium
- Oil on panel
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
Francesco de’ Medici was the oldest son of Florentine duke Cosimo I de’ Medici and Eleanora di Toledo, great patrons of the arts who instilled the same appreciation in their children. Francesco is shown here displaying a cameo of an unidentified female figure, highlighting his interest in collecting. One of his creations as a patron was the so-called Studiolo in the Palazzo Vecchio in Florence, a space dedicated to the appreciation of refined, intricate works of art and scientific curiosities. Francesco succeeded his father as Grand Duke of Tuscany only grudgingly, preferring a life of scholarship to statecraft.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Alessandro de' Medici
Art Institute of Chicago

Cosimo I de' Medici
Minneapolis Institute of Art
Francesco de Medici, Prince of Tuscany
Art Institute of Chicago
Cosimo III de'Medici, Grand Duke of Tuscany
Art Institute of Chicago
Lorenzo de' Medici, dit "le Magnifique" (1449-1492)
Petit Palais, musée des Beaux-arts de la Ville de Paris
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Art Institute of Chicago
Marie de’ Medici
Art Institute of Chicago

Madonna and Child
Cleveland Museum of Art
Medal Depicting Francesco de' Medici (1660–1710)
Art Institute of Chicago
Medal Depicting Francesco de' Medici (1614–1634)
Art Institute of Chicago

Portrait of a Woman
Cleveland Museum of Art
Medal Depicting Francesco I de' Medici (1541–1587)
Art Institute of Chicago