Art Institute of Chicago

Mahana no atua (Day of the God)

Paul Gauguin (French, 1848–1903)

Date

1894

Medium

Oil on linen canvas

Culture

France

Department

Painting and Sculpture of Europe

Institution

Art Institute of Chicago

In this tropical paradise of the artist’s invention, a deity presides over figures walking and resting on an embankment. Rhythmically arranged in groups of two and three, the figures appear more as symbolic forms than as portraits of individuals. Pools of water in interlocking, abstract zones of acidic color surround the feet of a bather, who is flanked by two prone figures—or perhaps the same person seen from two angles. Unlike his other Tahitian-inspired landscapes, this painting was produced in Paris shortly after Paul Gauguin’s first trip to the island. Drawn from fantasy and memory, the psychedelic composition is one of the most abstract and avant-garde works of the artist’s career.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.