Art Institute of Chicago
Portrait of Titian
Agostino Carracci (Italian, 1557-1602)
- Date
- 1587
- Medium
- Engraving on ivory laid paper
- Culture
- Italy
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Although an optical illusion makes Titian’s bust portrait seem to change size, the two impressions of Agostino Carracci’s Portrait of Titian (1938.1432 and 1919.2562) represent two subsequent states printed from the same reworked copper plate. The background lines at the top of the plate were burnished down to accommodate additional text celebrating Titian’s fame. This sheet has also been repaired in several places, with some of the details and lettering redrawn by hand, making the two prints seem oddly dissimilar on first glance, although Titian’s silhouette has in fact never changed.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Portrait of Titian
Art Institute of Chicago

Titian
Minneapolis Institute of Art
Titian and His Mistress
Art Institute of Chicago
Portrait of Titian
Art Institute of Chicago

Venus and Cupid
Minneapolis Institute of Art

Titien, l'Amour divin et l'amour terrestre (galerie Borghese) d'apres le dessin de Rocchi
Getty Museum

Reproduction of an engraving by Marc Antonio of a portrait by Titian.
Getty Museum

Portret van kunstenaar Titiaan
Rijksmuseum
Portrait of the Artist's Son, Antonio Carracci
Art Institute of Chicago

Portret van Titiaan en zijn maitresse
Rijksmuseum

Lamentation over the Body of Christ
Cleveland Museum of Art

Pastoral Scene
Getty Museum