Art Institute of Chicago
Study for "William Rush Carving His Allegorical Figure of the Schuylkill River"
Thomas Eakins (American, 1844–1916)LinkedCulture matchlcp-d878681cec91
- Date
- 1876–77
- Medium
- Oil on canvas mounted on board
- Culture
- United States
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
- Object ID
- 28860
From the Art Institute of Chicago record
Best known for his realist portraits and scenes of contemporary life, Thomas Eakins also spent considerable energy on history paintings. Here, he executed a study for a painting that celebrates an early American sculptor, William Rush. In the finished painting, Rush is depicted carving his Water Nymph and Bittern (1809), for which the model poses; the statue adorned a public square in Philadelphia, the hometown of both artists. Eakins, an ardent advocate of studying from life, highlights this artistic working method in his rendering of the female form. In 1870s America, artistic studies from the nude figure remained a rarity, a condition that Eakins worked hard to overturn in the following years as an instructor at the Pennsylvania Academy of the Fine Arts.
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Provenance & credit
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- Credit line
- Bequest of Dr. John J. Ireland
Linked open data
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- Object type
- AAT300033618
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