Art Institute of Chicago
The Death of the Virgin
Martin Schongauer
- Date
- c. 1470
- Medium
- Engraving in black on ivory laid paper
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
In this touching interpretation of the death of Jesus’s mother Mary, Martin Schongauer displays a painter’s sense of light and shadows. He outlines the figures and fabric folds with a continuous line, implying volume and depth through fine hatching, following the contours of his forms. Schongauer was the first graphic artist from Germany originally trained as painter. When he decided to make engravings, a logical choice given that his father was a goldsmith, Schongauer was not constrained by traditional techniques. Executed with conviction and compositional clarity, Schongauer’s masterful engravings were widely distributed, influencing generations of printmakers.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Jesus Christ Parting from the Virgin to go and Suffer Death
Art Institute of Chicago

Adoration of the Magi
Cleveland Museum of Art

The Death of the Virgin
Minneapolis Institute of Art

The Death of the Virgin
Minneapolis Institute of Art
The Virgin of the Annunciation
Art Institute of Chicago

The Life of Christ: The Nativity
Cleveland Museum of Art

The Death of the Virgin
Cleveland Museum of Art

The Virgin of the Annunciation
Cleveland Museum of Art

The Angel of the Annunciation
Cleveland Museum of Art

The Annunciation
Minneapolis Institute of Art

The Passion: The Entombment
Cleveland Museum of Art
The Flight into Egypt
Art Institute of Chicago