Art Institute of Chicago
The Actor Segawa Kikunojo II as the Heron Maiden in the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770
Ippitsusai Buncho
- Date
- 1770
- Medium
- Color woodblock print; hosoban
- Culture
- Japan
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
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- Object type
- AAT300041273
Related across collections
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The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770
Art Institute of Chicago
The Actor Segawa Kikunojo II as Yuki Onna (the Snow Woman) in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month
Art Institute of Chicago
Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi Sangorô II as Minamoto no Yoritomo (Right) in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Miyoto-giku Izu no kisewata”)
Art Institute of Chicago
Actors Arashi Sangorô II asMinamoto no Yoritomo and Segawa Kikunojô II as the Snow Woman in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Myôto- giku Izu no Kisewata”)
Art Institute of Chicago
The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Otani Hiroji III as Kawazu no Saburo (right), Segawa Kikunojo II as Princess Tatsu (Tatsu Hime) (center), and Nakamura Sukegoro II as Matano no Goro (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Ichikawa Somegoro (right), Segawa Kikunojo II (center), and Bando Sampachi (left), in Unidentified Roles in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Art Institute of Chicago
The Actors Nakamura Sukegoro II as Matano no Goro (right), Onoe Kikugoro I as Soga no Taro (center), and Otani Hiroji III as Kawazu no Saburo (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
Art Institute of Chicago
The Actor Nakamura Sukegoro II as the Sumo Wrestler Matano no Goro in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770
Art Institute of Chicago
The Actors Segawa Kikunojo II as Miwa and Ichimura Kamezo I as Hikoso in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month, 1760
Art Institute of Chicago