Art Institute of Chicago
Parting at the Gate of the Capital
Yao Shou (Chinese, 1423-1495)LinkedCulture matchlcp-e2e426373b47
- Date
- Ming dynasty (1369–1644), 15th century
- Medium
- Handscroll; ink and color on paper
- Culture
- China
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
- Object ID
- 36597
From the Art Institute of Chicago record
This handscroll captures a goodbye. Along the riverbank, a boatman poised with paddle in hand stands tall in anticipation of launching. Nearby, scholars wearing black hats linger over their departure. Within the thatched pavilion, two servants diligently pack up the remains of a farewell party. In ancient China, a handscroll would be viewed by unrolling it in segments, one arm’s length at a time, from right to left. This handscroll would thus gradually reveal the travelers and the distant landscape, creating the effect of sending them off.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Alice Boney
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033618
Part of a LinkedCulture topic
Chinese landscape paintingsThese are predominantly Chinese paintings from the Ming, Qing, Yuan, and Song dynasties that depict natural landscape scenes including mountains, rivers, forests, and human settlements using traditional media such as ink
180 objects from 5 institutions
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.