Art Institute of Chicago
Love and Nature Do Not Know These Distances
Unknown French artist
- Date
- 19th century
- Medium
- Lithograph in black on ivory laid paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Here Caroline of Brunswick, briefly the estranged queen to George IV of England, was scathingly caricatured for her supposed affair with her much taller Italian manservant, Bartolomeo Pergami. Similar prints by George Cruikshank, among other artists, harped on how physically unnatural the pairing was, but social inequality was always the real issue. Lord Byron was among those who argued publicly that her close relationship with Pergami was adulterous, but the ensuing trial failed to provide a firm answer to the question.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

The Amorous Couple
Minneapolis Institute of Art
Marriage of Henry II and Catherine de' Medici, The Dowry
Art Institute of Chicago

The Echo
Getty Museum

Scene from Henry VIII, by C.R. Leslie, R.A.
Getty Museum

Psyche Carried Off by the Zephyrs
Minneapolis Institute of Art
Untitled (Ceylon)
Art Institute of Chicago

Mystic Marriage of Saint Catherine
Getty Museum

The Parting of Sir Lancelot and Queen Guinevere
Getty Museum
Marriage of the Virgin
Art Institute of Chicago

Portrait of Catherine Grey, Lady Manners
Cleveland Museum of Art

Girl, Ceylon
Getty Museum

A Lady with Three Suitors
Cleveland Museum of Art