Debut of the Valkyrie

Art Institute of Chicago

Debut of the Valkyrie

Henri Fantin-Latour

Date
1879
Medium
Lithograph in black with scraping on stone on thick ivory wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

In the second musical drama of The Ring, Siegmund stumbles into the hunting cottage of the fierce Hunding. Here, Sieglinde, the wife of Hunding, offers her brother Siegmund a drink. The siblings, the offspring of Wotan and a she-wolf, were separated in their childhood, and do not recognize one another. Later in the opera, Hunding returns home and angrily promises to wage battle with Siegmund the following day and then departs. Siegmund then proclaims his romantic love for Sieglinde, removes Wotan's sword from the magic tree, and the couple retreats into the night.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey)

Sugriva challenges his brother Vali, King of the Forest Dwellers, to a duel, folio 10 from the Kishkindha Kanda (Book of Kishkindha) of a Ramayana (Rama’s Journey)

Cleveland Museum of Art

Venus Kindling a Fire in the Castle from which the Personifications of Shame, Anxiety, and Resistance Depart

Venus Kindling a Fire in the Castle from which the Personifications of Shame, Anxiety, and Resistance Depart

Getty Museum

Thy Sons & thy Daughters were eating & drinking Wine…

Thy Sons & thy Daughters were eating & drinking Wine…

Minneapolis Institute of Art

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The Arrival of the Brides at the Palace in Ayodhya: Page from a dispersed Ramayana series

The Arrival of the Brides at the Palace in Ayodhya: Page from a dispersed Ramayana series

Minneapolis Institute of Art

The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Cleveland Museum of Art

So the Lord blessed the latter end of Job more than the beginning

So the Lord blessed the latter end of Job more than the beginning

Minneapolis Institute of Art

The Sacrifice of Iphigenia

The Sacrifice of Iphigenia

Minneapolis Institute of Art

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

[Mrs. Elizabeth Cockburn Cleghorn and John Henning as Miss Wardour and Eddie Ochiltree from Sir Walter Scott's "The Antiquary"]

[Mrs. Elizabeth Cockburn Cleghorn and John Henning as Miss Wardour and Eddie Ochiltree from Sir Walter Scott's "The Antiquary"]

Getty Museum

Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso)

Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso)

Cleveland Museum of Art

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art