The Degradation of Haman before Ahasuerus and Esther

Art Institute of Chicago

The Degradation of Haman before Ahasuerus and Esther

School of Rembrandt van Rijn (Dutch, 1606-1669) contemporary with Govert Flinck (Dutch, 1615-1660)LinkedCulture matchlcp-f789c2208201

Date
1630s
Medium
Pen and brown ink, with brush and brown wash, on cream laid paper
Culture
Holland
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
49237

From the Art Institute of Chicago record

Although many attributions are based on visual observation, technical methods in use since the early 1900s provide material evidence that can supplement what the unassisted eye can register. In other words, investigating a work’s material composition and physical structure allows experts to base an attribution on how a work was made in addition to what it looks like. Current forms of analysis include technical imaging like beta radiography, X-ray fluorescence spectroscopy, and hyperspectral photography, as well as examination under strong magnification. Technical analysis of this drawing has found that two distinct campaigns of execution took place at different times and that two different types of ink were used. These findings support a hypothesis that the drawing was started by a member of Rembrandt’s workshop and then corrected by Rembrandt or one of the more advanced students under his supervision.

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Provenance & credit

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Credit line
The Charles Deering Collection
Provenance
15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records]. Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower left, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.

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Object type
AAT300033973

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