Art Institute of Chicago
Time Unveiling Truth
Pompeo Girolamo Batoni (Italian, 1708–1787)LinkedCulture matchlcp-77b0c9afa4ad
- Date
- 1740–45
- Medium
- Oil on canvas
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 51130
From the Art Institute of Chicago record
Pompeo Girolamo Batoni crafted a complex mythological scene in this small-scale work, most likely a preparatory sketch for a larger, unexecuted or unknown painting. Father Time pulls aside a large swath of drapery to reveal Truth at the center of the composition, radiating revelatory light from the sun. The figures of Envy, winged and wearing a mask, and Discord, with a writhing tail, lurk in the shadow to the right. Beside Truth stands Justice, holding the pair of scales that signals her impartiality. Last, in the lower right, the personifications of Painting, Sculpture, and Architecture hold the tools of their trades.
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Provenance & credit
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- Credit line
- Harold T. Martin Trust
- Provenance
- Possibly Cardinal Silvio Valenti Gonzaga (died 1765) [Clark 1985]; then by descent, possibly Valenti Gonzaga’s nephew, Cardinal Luigi Valenti Gonzaga (died 1808); a noble Florentine family. Private collection, Rome [Clark 1985]. P. & D. Colnaghi, London, 1975. Galerie Bruno Meissner Switzerland, by 1976; sold to Art Institute, 1976.
Linked open data
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- Object type
- AAT300033618
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