Art Institute of Chicago
Daniel Hubbard
John Singleton Copley (American, 1738–1815)LinkedCulture matchlcp-127c5f7572b7
- Date
- 1764
- Medium
- Oil on canvas
- Culture
- England
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
- Object ID
- 59784
From the Art Institute of Chicago record
Between 1753 and 1774, John Singleton Copley painted 350 portraits, primarily of Bostonians. He was largely self-taught, his only formal training from his stepfather Peter Pelham, an English artist who specialized in mezzotint engraving. Pelham encouraged Copley to produce his own mezzotints and to learn to draw by copying English prints. By the time Daniel Hubbard (1764) and Mrs. Daniel Hubbard (Mary Greene) (c. 1764; 1947.28) were produced, the artist had established a popular portrait style featuring individualized faces and luxurious fabrics. A decade later, Copley left colonial Massachusetts for England to further his career and simultaneously escape the strong political divides among family, friends, and patrons amid the impending Revolution.
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Provenance & credit
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- Credit line
- Art Institute of Chicago Purchase Fund
- Provenance
- Mr. and Mrs. Daniel Hubbard, Boston, from 1764 to 1796; by descent to Mrs. Daniel Hubbard, Boston, from 1796 to 1808; by descent to Henry Hubbard, Boston, from 1808 to 1844; by descent to Mary Greene Hubbard, Boston, from 1844 to 1882; by descent to William Scollay Whitwell, Boston, from 1882 to 1899; by descent to his daughter Mary Hubbard Whitwell, Brookline, Mass, from 1899 to 1908; by descent to her sister, Mrs. William Tudor (Elizabeth Whitwell), Boston, from 1908 to 1929; by descent to her son, Henry Dubois Tudor, Cambridge, MA, from 1929 to 1947; the Art Institute of Chicago, 1947.
Linked open data
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- Object type
- AAT300033618
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