Art Institute of Chicago
Amphora (Storage Jar)
Close to the style of the Antimenes PainterLinkedCulture matchlcp-feedad3f7f6a
- Date
- 530-520 BCE
- Medium
- terracotta, black-figure on white-ground
- Culture
- Athens
- Department
- Arts of Greece, Rome, and Byzantium
- Institution
- Art Institute of Chicago
- Object ID
- 59815
From the Art Institute of Chicago record
This large vessel was used for storing and mixing wine, and was likely used as part of the Greek symposium. Much like modern academic symposiums, in which people discuss a topic of common interest, debunking old theories and putting forth new hypotheses; the men of ancient Athens regularly got together in private homes to exchange ideas. Afterward the participants might continue the conversation, discussing their impressions in greater detail or simply socializing over a drink. As the evening progressed, participants engaged in other pleasures, including games, performances, and sex. Wine played a major role in fueling these evenings, and as such the myriad vessels used in the symposium often paid homage to drink. Here, the face or mask of a satyr, one of the followers of the wine god Dionysos, is depicted with grapevines seemingly growing from his head.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Costa A. Pandaleon Endowment
- Provenance
- Private Collection, Switzerland, by 1962 [this and the following according to correspondence with Dietrich von Bothmer dated July 7, 1980, copy in curatorial object file]; Elie Borowski (1913–2003), Toronto, Quebec and Basel, Switzerland, by 1974; Merrill C. Rueppel (1925– 2011), Needham, MA, September 1977 [according to incoming object receipt and correspondence in curatorial object file]; sold to the Art Institute, 1980.
Linked open data
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- Object type
- AAT300193015
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