Art Institute of Chicago
Plates four, five, and six from A Harlot's Progress
William HogarthLinkedCulture matchlcp-4bc0237dded5
- Date
- 1732/61
- Medium
- Three etchings from three plates, two in red ink and one in olive green ink, on cream wove paper, laid down on off-white laid paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 60032
Despite the resounding success of A Harlot’s Progress , William Hogarth waited over ten years to release a second edition. Before the implementation of the 1735 Engraver’s Act, he had little recourse to combat plagiarism. This rare unmounted fan leaf is printed with colorful, reduced-scale etchings of the harlot’s entry into the workhouse, final moments, and funeral. A complete fan would have boasted the three earlier scenes on the other side; indeed, the folds in the paper suggest the impression may once have been fitted for use. Hogarth is said to have given such moralizing items to his servants.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Joseph Brooks Fair Fund
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.