Art Institute of Chicago
America
Hiram Powers (American, 1805–1873)LinkedCulture matchlcp-f61e6daa797e
- Date
- 1850–54
- Medium
- Marble
- Culture
- Italy
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
- Object ID
- 64076
From the Art Institute of Chicago record
Modeling an abstract idea as a woman, here an allegory of America, artist Hiram Powers sought to give visual form to democratic ideals, which he believed would resonate strongly with audiences in both the United States and Europe in the mid-19th century. Draped cloth partially covers the figure’s chest and she wears a headband, or diadem, whose 13 stars signify the nation’s first states. This classicizing bust is drawn from Powers’s full-scale sculpture, similarly called America , in which the woman triumphantly raises one arm and stands upon broken chains. Living in Florence, Powers supported the uprisings there for a republican government. An abolitionist, he also strove to reaffirm the ideals of liberty and self-governance at home, where slavery—fueled by a white colonialist drive to expand westward—threatened the Union in the 1850s.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Art Institute of Chicago Purchase Fund
- Provenance
- Ellen E. Powers, (the artist's daughter), Florence, Italy, to 1910; sold by her to the Art Institute of Chicago, 1910.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300301253
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.