Art Institute of Chicago

Aristide Bruant, in His Cabaret

Henri de Toulouse-Lautrec

Date

1893

Medium

Color lithograph on buff wove paper

Culture

France

Department

Prints and Drawings

Institution

Art Institute of Chicago

During his popular cabaret performances, Aristide Bruant adopted the role of a social outsider who regularly criticized upper-class society and commented on current events with biting humor. Despite its antiestablishment reputation, Bruant’s cabaret, Le Mirliton, attracted patrons from a wide variety of backgrounds—even upper-class Parisians, who came expecting Bruant to openly ridicule them during and after the shows. In 1892 Bruant commissioned Henri de Toulouse-Lautrec to design a poster advertising his performances at the upscale Ambassadeurs and Eldorado clubs. The artist created an iconic portrait of the singer that reduced his likeness to its most memorable elements: a wide-brimmed hat, black cloak, and bright-red scarf. Over time Toulouse-Lautrec reused and adapted this unmistakable image in many different designs to publicize Bruant’s shows at Le Mirliton.

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