Snuff Jar

Art Institute of Chicago

Snuff Jar

Lyman, Fenton & CompanyLinkedCulture matchlcp-cfb16088d976

Date
1849–52
Medium
Earthenware
Culture
Bennington
Department
Arts of the Americas
Institution
Art Institute of Chicago
Object ID
67447

From the Art Institute of Chicago record

Beginning in the mid-18th century, English manufacturers introduced yellow-bodied pottery with mottled brown glazing, commonly known as Rockingham ware, to the United States market. By the 1840s, factories in America, aided by English immigrant craftsmen, were producing the pottery to great success. Two of the most notable American makers of Rockingham ware were located in Bennington, Vermont, where potteries had existed since at least 1785, but there were also manufacturers in New Jersey, Ohio, Maryland, and elsewhere. Responding to the utilitarian needs of America’s middle class, these potteries produced a large range of objects, from spittoons to inkwells, snuffboxes to pitchers, and candlesticks to doorknobs. Lyman, Fenton, and Company modeled snuff jars such as this one loosely after a beloved English form known as a Toby Fillpot or Philpot. These jugs were usually modeled as a seated figure in 18th-century dress with a cup in one hand and a pitcher in the other. In this transformation of the English jug into an American snuff jar, the hat, or mouth, of the vessel has been turned into a lid.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.t--DVr3MljgG5gUb.wA9vLahHNbw6mZbVYQ0pm3uQ_JnALMGRwZOG6WYeMglaTmOs9ZZv1G36YYFvYDsSnF8HyNHIOb9ktY2ha6z76zHZGhl3B0Be8lLYZCS2ucd3r92mXF0c3HWPklu2nfWSJWmceAdSoOpBBxsxZlZ1UlxQQazFMekGKlTkt2HDT6dOdZzR3HAmM8L0AFRkEVVML3THKAglrHgJ_FHK15BFDv5EAnTzO2IaH2Hxk_8mK6MngD_HLTOhwq_BC8Pxs2wKGPJTizq4RdIquIzQfrUTeEz6See at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.z1oMI-nM_oK0yqNQ.YOAwDrKrUSrKgdn-QhCNZNHiNzoqGkxCn_2NsRhuL82oaAE92tzT63GOGmS9ywf_cdtVAu6BwpflLyObMT-jRtuConE_tt4wpkphQ0y4aYNnYiiyY5fby0F483N8iwKT8W4Et26-25XzawZzURCv9Gq4XF-Cv_b2Ibt2w4H_XD_7jtVdATrc27atOTaj_JgaIcaANswlo_9VUBI_Gq-t7eHz5uS-Kh9scvZzAHLwMDE0ZMDSlvHgB_9hmAMhVGAuFlTv1beBikLFs-TywWOxeQ
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Amelia Blanxius Collection, gift of Emma B. Hodge and Jene E. Bell

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300386308

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.