Dancer Ready to Dance, Right Foot Forward

Art Institute of Chicago

Dancer Ready to Dance, Right Foot Forward

Edgar Degas (French, 1834–1917)LinkedCulture matchlcp-bf4856169bdb

Date
Modeled 1882–95, cast 1919–21
Medium
Bronze
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
68362

After Edgar Degas’s death in 1917, a large group of sculptures were discovered in his studio, most of them modeled in wax. With one exception, the works had never been exhibited during his lifetime and were virtually unknown to his contemporaries. Parisian foundry A. A. Hébrard eventually cast 74 of the figures into bronze, and three of the resulting sculptures in the collection of the Art Institute: Dancer Ready to Dance, Right Foot Forward , Arabesque , and Woman Arranging Her Hair . In Dancer Ready to Dance , the figure performs the tendu exercise, repeatedly extending and retracting her leg to strengthen certain muscles. Arabesque depicts the final movement of an arabesque penchée, in which the dancer gracefully tilts her body forward while extending one leg up and back. In the sculpture at far right, the woman is probably drying her hair after washing it in separate sections, as was common practice in the 19th century.

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Provenance & credit

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Credit line
Wirt D. Walker Endowment
Provenance
Commissioned by Edgar Degas’s heirs from the Hébrard Foundry, Paris, May 1918; René DeGas Family, Paris, by 1921 [see Czestochowski and Pingeot, pp. 15]; by descent to the DeGas-Musson Family, New Orleans, before 1950 [see source cited above, p. 233]; sold by Gaston DeGas-Musson and the Musson Family to the Elkin and Albris Silberman Galleries, New York, January 19, 1950 [see source cited above; see also agreement of sale, January 19, 1950, DeGas-Musson Family Papers, Howard-Tilton Memorial Library, Tulane University, copy in curatorial file]; sold by Silberman Galleries to the Art Institute of Chicago, 1950.

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Object type
AAT300301253

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