Art Institute of Chicago

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

Joseph Mallord William TurnerLinkedCulture matchlcp-ecc9cea69b86

Date

published February 11, 1812

Medium

Mezzotint and etching in brown on ivory paper

Culture

England

Department

Prints and Drawings

Institution

Art Institute of Chicago

Object ID

71686

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies) . Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.