Study for Inquisition, Illustration to Columbiad

Art Institute of Chicago

Study for Inquisition, Illustration to Columbiad

Henry FuseliLinkedCulture matchlcp-51a294594c6f

Date
c. 1806
Medium
Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper
Culture
England
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
7577

From the Art Institute of Chicago record

The Spanish Inquisition (symbolizing religious intolerance) is personified as a sinister-looking woman carrying a sword and holding a flaming vessel. She stands triumphantly atop the prone body of Truth. Peering out from behind her is a Dominican friar, an instrument of her authority. Fuseli’s painted sketch (a study for an unpublished engraving) illustrates lines from the early American poet Joel Barlow’s Columbiad (published 1807), an epic account in verse of the founding of the United States. Barlow had commissioned illustrations from Fuseli, which were ultimately rejected. Notably, Fuseli painted this study directly on a reproductive engraving of one of his own paintings, which was presumably close at hand.

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Provenance & credit

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Credit line
The Leonora Hall Gurley Memorial Collection
Provenance
Sold, Puttick & Simpson, London, Oct. 23, 1914, lot 236 [according to inscription] to William F. E. Gurley (1870-1943), Chicago; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922.

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Object type
AAT300033973

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