Art Institute of Chicago
Study for Inquisition, Illustration to Columbiad
Henry FuseliLinkedCulture matchlcp-51a294594c6f
- Date
- c. 1806
- Medium
- Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 7577
From the Art Institute of Chicago record
The Spanish Inquisition (symbolizing religious intolerance) is personified as a sinister-looking woman carrying a sword and holding a flaming vessel. She stands triumphantly atop the prone body of Truth. Peering out from behind her is a Dominican friar, an instrument of her authority. Fuseli’s painted sketch (a study for an unpublished engraving) illustrates lines from the early American poet Joel Barlow’s Columbiad (published 1807), an epic account in verse of the founding of the United States. Barlow had commissioned illustrations from Fuseli, which were ultimately rejected. Notably, Fuseli painted this study directly on a reproductive engraving of one of his own paintings, which was presumably close at hand.
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Provenance & credit
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- Credit line
- The Leonora Hall Gurley Memorial Collection
- Provenance
- Sold, Puttick & Simpson, London, Oct. 23, 1914, lot 236 [according to inscription] to William F. E. Gurley (1870-1943), Chicago; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922.
Linked open data
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- Object type
- AAT300033973
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