Art Institute of Chicago
The Triumph of Death, plate five from The Triumphs of Petrarch
Georg Pencz
- Date
- c. 1539
- Medium
- Engraving in black on ivory laid paper
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
The back of this impression of Georg Pencz’s Triumph of Death bears the signature, dated 1676, of Pierre Mariette II, an illustrious connoisseur and printseller who seems to have found the series to be a good investment. Mariette purchased at least one copy of the set before, as the British Museum now possesses both the Triumph of Love and The Triumph of Death signed by Mariette and dated 1666. This image itself is one of the most dramatic in the series, with a scythe-wielding skeleton embodying Death and a terrifying Hellmouth reminiscent of the work of Hieronymus Bosch opening in the distance.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Triumph of Love, plate one from The Triumphs of Petrarch
Art Institute of Chicago
The Triumph of Time, plate four from The Triumphs of Petrarch
Art Institute of Chicago
The Triumph of Time (recto); Sketch of a Stag (verso)
Art Institute of Chicago
The Triumph of Eternity, plate six from The Triumphs of Petrarch
Art Institute of Chicago
The Triumph of Chastity, plate two from The Triumphs of Petrarch
Art Institute of Chicago
The Triumph of Fame, plate three from the Triumphs of Petrarch
Art Institute of Chicago

Triumph of Death
Minneapolis Institute of Art
The Triumph of Death
Art Institute of Chicago

Triumph of Eternity
Minneapolis Institute of Art

The Triumph of Death: The Proclamation
Cleveland Museum of Art

Triumph of Bacchus
Minneapolis Institute of Art

Triumph of Bacchus
Cleveland Museum of Art