Art Institute of Chicago
Portrait of Titian
Agostino Carracci (Italian, 1557-1602)
- Date
- 1587
- Medium
- Engraving on ivory laid paper
- Culture
- Italy
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Agostino Carracci likely saw Titian’s self-portrait painting in Venice (now Gemäldegalerie, Berlin), and having captured the luxurious textures of fur and fabric, Agostino produced an engraving that may be his most famous print. The work is known in at least four different states, all pulled from the same copper plate. They ranged from the first, before lettering was added, to the present impression with its dedication to a Bolognese Cardinal and the addition of a date at the bottom; to the third state with text added at the top; to the fourth, reworked probably posthumously, to eke out a few more printings.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Portrait of Titian
Art Institute of Chicago

Titian
Minneapolis Institute of Art
Saint Jerome in Penitence
Art Institute of Chicago

Lamentation over the Body of Christ
Cleveland Museum of Art

Venus and Cupid
Minneapolis Institute of Art
Giovanni Baglione
Art Institute of Chicago
Portrait of Titian
Art Institute of Chicago
The Temptation of Saint Anthony
Art Institute of Chicago
Titian and His Mistress
Art Institute of Chicago

Saint Francis Receiving the Stigmata
Minneapolis Institute of Art

Reproduction of an engraving by Marc Antonio of a portrait by Titian.
Getty Museum

Portret van kunstenaar Titiaan
Rijksmuseum