Art Institute of Chicago
A Chalice
Wenceslaus HollarLinkedCulture matchlcp-ec5e0c654fff
- Date
- 1640
- Medium
- Etching on ivory laid paper
- Culture
- Bohemia
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 78888
Wenceslaus Hollar made this etching from a drawing in the 14th Earl of Arundel’s collection that was attributed to Andreas Mantegna. It entered the British Museum in the late 19th century, and was termed an anonymous Venetian work. This etching and Seleucus and His Son are two of four prints Hollar made from 1637 to 1641 after objects in Arundel’s collection. The detailed religious designs on the bowl of the chalice depict scenes from the Passion of Christ, while angels and apostles surround the stem. The abstract arch just above the chalice suggests a hovering communion wafer.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Mr. and Mrs. Potter Palmer, Jr.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.