Art Institute of Chicago
Monsieur Filochard, ex shopkeeper, retired, feels the need of passing on his bust in marble to even remotest posterity, plate 68 from Les Bons bourgeois
Honoré Victorin Daumier
- Date
- 1847
- Medium
- Lithograph in black on white wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Daumier often poked fun at the French bourgeoisie. Monsieur Filochard, the former shopkeeper seen here, is a member of les bons bourgeois (the good middle class). This print shows him using his newfound leisure time and funds to commission an expensive marble bust in his own likeness. The choice of marble over a painted portrait suggests his intention to flaunt his wealth, if not necessarily his good taste. The bust, despite its unflattering representation, is nonetheless desirable as a symbol of Filochard’s artistic patronage and social aspirations. Daumier was himself a sculptor of many humorous bronze busts.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Relaxation during the dog days, plate 33 from Les Bons Bourgeois
Art Institute of Chicago
A True Art Lover, plate 66 from Les Bons Bourgeois
Art Institute of Chicago
“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois
Art Institute of Chicago
Robert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert Macaire
Art Institute of Chicago
“He has become a Laaaand-Looooord!,” plate 18 from Les Bons Bourgeois
Art Institute of Chicago
“- Isn't it marvellous to have a son who is a lawyer... what an honour for the family... Adolph, I want you to remain dressed like that all day long!...,” plate 21 from Les Bons Bourgeois
Art Institute of Chicago
“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois
Art Institute of Chicago
“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour
Art Institute of Chicago

Position réputée la plus commode pour avoir un joli portrait au Daguerréotype. (Les Bons Bourgeois No. 49), from Le Charivari
Minneapolis Institute of Art
“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois
Art Institute of Chicago
“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour
Art Institute of Chicago

Posant en membre des comice d'Agriculture de son département. (Les Bons Bourgeois No. 1), from Charivari
Minneapolis Institute of Art