A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Honoré Victorin Daumier

Date
1864
Medium
Lithograph in black on white wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

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Object type
AAT300041273

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“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités

At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités

Art Institute of Chicago

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

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Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Art Institute of Chicago

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

Art Institute of Chicago

“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra

“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra

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They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans

Minneapolis Institute of Art

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

Art Institute of Chicago

A literary argument on the second tier, plate 3 from Croquis Pris Au Théatre par Daumier

A literary argument on the second tier, plate 3 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

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“- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot.... We have come to get his address and we are eager to announce that the affair is arranged.... He is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces,” plate 1 from Les Amis

“- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot.... We have come to get his address and we are eager to announce that the affair is arranged.... He is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces,” plate 1 from Les Amis

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“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

Art Institute of Chicago