Art Institute of Chicago
The Circumcision, plate four from The Birth and Early Life of Christ
Hendrick Goltzius (Dutch, 1558-1617)
- Date
- 1594
- Medium
- Engraving on off-white laid paper
- Culture
- Netherlands
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
This celebrated print belongs to the Life of the Virgin series. Goltzius's composition and method of using burin is deceptively close to that of Albrecht Dürer. Although Goltzius succeeded in capturing Dürer's style, he also imposed his own ideas and settings. The artist set the scene in an exact rendering of a chapel of St. Bravo's Church in Haarlem. The artist also portrayed himself standing in the arched doorway in the background, gazing out at the viewer. This is the earliest extant portrait of the artist.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

The Circumcision
Minneapolis Institute of Art
The Circumcision of Christ, from The Life of the Virgin
Art Institute of Chicago
The Circumcision, from The Birth and Early Life of Christ
Art Institute of Chicago

Life of the Virgin: The Circumcision
Cleveland Museum of Art

The Crucifixion
Minneapolis Institute of Art

Life of the Virgin: The Nativity
Cleveland Museum of Art

The Life of the Virgin
Cleveland Museum of Art
The Circumcision
Art Institute of Chicago

The Circumcision
Cleveland Museum of Art

Day Four, from Creation of the World
Minneapolis Institute of Art

The Large Passion: The Crucifixion
Cleveland Museum of Art
The Adoration of the Magi, plate five from The Birth and Early Life of Christ
Art Institute of Chicago