Art Institute of Chicago
The Rape of a Sabine Woman, View from Behind
Jan Harmensz Muller (Dutch, 1571-1628)
- Date
- c. 1598
- Medium
- Engraving on paper
- Culture
- Netherlands
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Jan Harmensz Muller produced a series of masterful engravings from three different vantage points after wax models for Adriaen de Vries’s sculpture The Rape of a Sabine Woman . When de Vries cast his sculpture around 1620, long after Muller produced his prints, he replicated the style of antique bronzes. Muller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The twists and turns of conflicting male and female bodies, from the ancient story in which Roman soldiers abducted brides en masse, showcase his talent.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Rape of a Sabine Woman, Frontal View
Art Institute of Chicago
The Rape of a Sabine Woman, Lateral View
Art Institute of Chicago
The Rape of a Sabine Woman Seen from the Back, Her Face Visible
Harvard Art Museums
The Rape of a Sabine Woman Seen from the Side, Her Face Visible
Harvard Art Museums
The Rape of a Sabine Woman Seen from the Front, Her Face Concealed
Harvard Art Museums
The Abduction of a Sabine Woman
Art Institute of Chicago
The Abduction of a Sabine Woman
Art Institute of Chicago
The Abduction of a Sabine Woman
Art Institute of Chicago

Roof van een Sabijnse vrouw, achteraanzicht
Rijksmuseum

Roof van een Sabijnse vrouw, vooraanzicht
Rijksmuseum

Embracing Couple (Mercury and Lara?)
Getty Museum

Roof van een Sabijnse vrouw, zijaanzicht
Rijksmuseum