The Rape of a Sabine Woman, View from Behind

Art Institute of Chicago

The Rape of a Sabine Woman, View from Behind

Jan Harmensz Muller (Dutch, 1571-1628)

Date
c. 1598
Medium
Engraving on paper
Culture
Netherlands
Department
Prints and Drawings
Institution
Art Institute of Chicago

Jan Harmensz Muller produced a series of masterful engravings from three different vantage points after wax models for Adriaen de Vries’s sculpture The Rape of a Sabine Woman . When de Vries cast his sculpture around 1620, long after Muller produced his prints, he replicated the style of antique bronzes. Muller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The twists and turns of conflicting male and female bodies, from the ancient story in which Roman soldiers abducted brides en masse, showcase his talent.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300041273

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.