Art Institute of Chicago
Fishing Recluse by an Autumn Grove (秋林漁隱圖)
Sheng Mao (attributed, 盛懋)LinkedCulture matchlcp-0d32be72f798
- Date
- late Ming/early Qing dynasty, 17th century
- Medium
- Hanging scroll, ink and color on paper
- Culture
- China
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
- Object ID
- 80213
From the Art Institute of Chicago record
This painting bears a spurious signature of the Yuan dynasty painter Sheng Mou , is likely a 17th-century wholesale recreation of a recorded original of the same title and date done by Sheng Mou for the 14th-century poet Lu Pu. As such, the painting evidences the attention that Sheng Mou's work attracted in the early 17th century, and references in the spurious inscriptions a network of recorded and transmitted paintings seemingly created in imitation of the same original. While the brushwork is related to known 17th-century painting styles, the subject matter and composition of this painting do homage to compositions associated with the work of Sheng Mou.
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Provenance & credit
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- Credit line
- Nickerson Fund
Linked open data
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- Object type
- AAT300033618
Part of a LinkedCulture topic
Chinese landscape paintingsThese are predominantly Chinese paintings from the Ming, Qing, Yuan, and Song dynasties that depict natural landscape scenes including mountains, rivers, forests, and human settlements using traditional media such as ink
180 objects from 5 institutions
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