Saints Augustine and Peter

Art Institute of Chicago

Saints Augustine and Peter

Paolo Veneziano (Italian, active 1333–1358)LinkedCulture matchlcp-29a073c35ce7

Date
c. 1350
Medium
Tempera on panel
Culture
Venice
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
8034

From the Art Institute of Chicago record

Saints Augustine and Peter and Saints John the Baptist and Catherine of Alexandria —identifiable by their clothing, attributes, and Latin inscriptions—once flanked a larger central image, probably of a Virgin and Child. The frames were made in the early 20th century, but they reflect the architectural style and motifs typical of 14th century Venetian altarpieces. The leading Venetian painter of his time, Paolo Veneziano combined sinuous Gothic contours, sumptuous textile patterns, and severe facial types influenced by contemporary Byzantine art. This mix of styles reflects Venice’s role as the center of a vast trade network encompassing Western Europe and the Byzantine Empire and extending as far as East Asia and sub-Saharan Africa.

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Provenance & credit

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Credit line
Gift of Mrs. Charles V. Hickox
Provenance
Grimaldi, Venice (according to the Roerich Museum sale catalogue); The Roerich Museum, New York; sold American Art Association, New York, March 28, 1930, no. 151 (ill.), as Lorenzo Veneziano, to Robert B. Harshe acting on behalf of Catherine Barker Spaulding Hickox (Harshe was listed as the buyer in the published results of the Roerich sale); Catherine Barker Spaulding Hickox, Michigan City, Indiana, and New York, 1930–58; on loan to the Art Institute from 1932; given to the Art Institute, 1958.

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Object type
AAT300033618

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