Interrupted Reading

Art Institute of Chicago

Interrupted Reading

Jean-Baptiste-Camille Corot (French, 1796–1875)LinkedCulture matchlcp-051520008a7b

Date
c. 1870
Medium
Oil on canvas, mounted on board
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
81512

Interrupted Reading is among the most compelling of Camille Corot’s late figure paintings. Corot almost never exhibited these studies of the human form, preferring instead to publicize the idyllic landscapes that were his specialty. To emphasize the private nature of Interrupted Reading , Corot enclosed his model within the protective environment of the artist’s studio. The mood of the painting is introspective and somewhat melancholic, the very essence of the Romantic sensibility. The muse-like image of a woman reading a book was a popular one in nineteenth-century art, but Corot chose to show his model pausing, looking up from this activity. Having spent a number of years in Italy and being a lover of everything Italian, the artist often furnished his models with Italianate costumes such as the one worn here. Whereas Corot’s subject matter is traditional, his technique is not. With direct and bold brushwork, he explored the human form as a construction of masses that support and balance one another. This broad handling is complemented by the artist’s obvious delight in detail—the ribbon in the model’s hair, the delicate earrings, the deep folds in the skirt. Here he combined a profound sense of formal structure with the dreamy softness and intimacy that characterize his most famous landscapes.

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Provenance & credit

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Credit line
Potter Palmer Collection
Provenance
M. Jules de La Rochenoire (1825-1899), Paris by 1875 [see Paris 1875]. Alexandre Dumas fils, Paris by 1882; his sale, Paris, Hôtel Drouot, February 16, 1882, lot 15, as La Rêverie, figure, bought in for 2,450 francs; his sale, Paris, Hôtel Drouot, May 12-13, 1892, lot 24, as La Rêverie, sold for 4,300 francs to Durand-Ruel, Paris [stock no. 2212, according to Paris, Ottawa, New York 1996]; sold for 20,000 francs to Mr. and Mrs. Potter Palmer, Chicago, on May 17, 1892; bequeathed to the Art Institute, 1922.

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Object type
AAT300033618

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