Art Institute of Chicago
Interrupted Reading
Jean-Baptiste-Camille Corot (French, 1796–1875)LinkedCulture matchlcp-051520008a7b
- Date
- c. 1870
- Medium
- Oil on canvas, mounted on board
- Culture
- France
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 81512
Interrupted Reading is among the most compelling of Camille Corot’s late figure paintings. Corot almost never exhibited these studies of the human form, preferring instead to publicize the idyllic landscapes that were his specialty. To emphasize the private nature of Interrupted Reading , Corot enclosed his model within the protective environment of the artist’s studio. The mood of the painting is introspective and somewhat melancholic, the very essence of the Romantic sensibility. The muse-like image of a woman reading a book was a popular one in nineteenth-century art, but Corot chose to show his model pausing, looking up from this activity. Having spent a number of years in Italy and being a lover of everything Italian, the artist often furnished his models with Italianate costumes such as the one worn here. Whereas Corot’s subject matter is traditional, his technique is not. With direct and bold brushwork, he explored the human form as a construction of masses that support and balance one another. This broad handling is complemented by the artist’s obvious delight in detail—the ribbon in the model’s hair, the delicate earrings, the deep folds in the skirt. Here he combined a profound sense of formal structure with the dreamy softness and intimacy that characterize his most famous landscapes.
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Provenance & credit
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- Credit line
- Potter Palmer Collection
- Provenance
- M. Jules de La Rochenoire (1825-1899), Paris by 1875 [see Paris 1875]. Alexandre Dumas fils, Paris by 1882; his sale, Paris, Hôtel Drouot, February 16, 1882, lot 15, as La Rêverie, figure, bought in for 2,450 francs; his sale, Paris, Hôtel Drouot, May 12-13, 1892, lot 24, as La Rêverie, sold for 4,300 francs to Durand-Ruel, Paris [stock no. 2212, according to Paris, Ottawa, New York 1996]; sold for 20,000 francs to Mr. and Mrs. Potter Palmer, Chicago, on May 17, 1892; bequeathed to the Art Institute, 1922.
Linked open data
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- Object type
- AAT300033618
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