The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

Art Institute of Chicago

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

Honoré Victorin Daumier

Date
1856
Medium
Lithograph in black on ivory wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300041273

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857

The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857

Art Institute of Chicago

The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie

The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie

Art Institute of Chicago

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens

Art Institute of Chicago

“- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot.... We have come to get his address and we are eager to announce that the affair is arranged.... He is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces,” plate 1 from Les Amis

“- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot.... We have come to get his address and we are eager to announce that the affair is arranged.... He is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces,” plate 1 from Les Amis

Art Institute of Chicago

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

Art Institute of Chicago

A Small Queue at the Entrance to the Palace of Industry. “- But I am telling you that I have a special entry permit! - Quite so, and this is why you are allowed to queue up already at the Obelisk.... otherwise you would have to start on the other side, close to the Etoile.... incidentally why not have a bite to eat while you are waiting... there is a charming little restaurant half way, plate 7 from Les Etrangers à Paris

A Small Queue at the Entrance to the Palace of Industry. “- But I am telling you that I have a special entry permit! - Quite so, and this is why you are allowed to queue up already at the Obelisk.... otherwise you would have to start on the other side, close to the Etoile.... incidentally why not have a bite to eat while you are waiting... there is a charming little restaurant half way, plate 7 from Les Etrangers à Paris

Art Institute of Chicago

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

Art Institute of Chicago

Robert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert Macaire

Robert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert Macaire

Art Institute of Chicago

Actualités:  L'Ouverture du second théatre français.  Mr. tout est plein vous ne trouveriez pas même un place au paradis!  si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!

Actualités: L'Ouverture du second théatre français. Mr. tout est plein vous ne trouveriez pas même un place au paradis! si vous voulez revenir dans un quinzaine, peut-être que nous en aurons!

Cleveland Museum of Art

“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

Art Institute of Chicago

Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités

Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités

Art Institute of Chicago