Art Institute of Chicago
The Bohemian Woman
Cornelis Visscher
- Date
- c. 1656-58
- Medium
- Engraving on ivory laid paper
- Culture
- Holland
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Unlike his contemporaries in 17th-century Holland, Cornelis Visscher adopted engraving rather than etching as his main form of artistic production. Viewed as a master of the complex technique, he made works that were praised and collected. The peasants shown in Visscher’s scenes are both rugged and nearly facetious. His Bohemian Woman depicts a mother acting as a balance beam for three animated children—all demanding some form of attention from her. The combination of her exposed breast with suckling infant, approaching hunters, and an oddly placed whimsical backdrop is disconcerting but simultaneously all the more intriguing in its incongruity.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Shepherdess Riding on a Donkey, plate 2 from Four Landscapes
Art Institute of Chicago
The Bohemian Woman
Art Institute of Chicago
Woman Milking a Cow, plate 3 from Four Landscapes
Art Institute of Chicago
A Mother an Swathed Child Riding a Donkey, plate 4 from Four Landscapes
Art Institute of Chicago
A Resting Herd
Art Institute of Chicago
The Large Cat
Art Institute of Chicago
Portrait of an Old Woman, Visscher's Mother
Art Institute of Chicago
Head of an Old Woman (so-called portrait of Visscher's mother)
Art Institute of Chicago
The Mousetrap
Art Institute of Chicago
Hearing (De Fiool Speelder)
Art Institute of Chicago

The Large Cat
Minneapolis Institute of Art
Jan de Paep (De Beursknecht)
Art Institute of Chicago