Young Woman at an Open Half-Door

Art Institute of Chicago

Young Woman at an Open Half-Door

Rembrandt van Rijn (Dutch, 1606–1669)LinkedCulture matchlcp-7924f2657395

Date
1645
Medium
Oil on canvas
Culture
Holland
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
94840

From the Art Institute of Chicago record

This young woman, with her sidelong glance and the ambiguous lift at the corner of her mouth, exemplifies the playful nature of Rembrandt van Rijn’s character studies, called tronies , as well as his use of doorways and windows as clever framing devices. However, the overall flatness of this composition argues against Rembrandt’s authorship. It may have been created by a member of his prolific workshop and then endorsed as a studio product with the artist’s signature and date.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.8vV64PL1Dd7DBN15.x1jTNSp2ExfHgueGhqNgUODMqrvPWY3Gkhoh4d4x5ngqK342m8FKIwqQaJ7_7nfer1LG7AdkI0jRUAXI9lofOQAPYn-LRhaKzRzcI7dBj5xIaZRKa5Q7FlNxMwngHguZKM--YWwTJ9x46hm7FDyh-eOR-2_wHTAWFxdAZLM_rUaD4FgwdoTMRuneS-Sbgii-Z7GoaEkdHRFd0zWGpDPs7yf9buLrfqKqcxItN1sEPJlKK4kj-ltvCCMLUpfynTwV2YwMnazbyhgqwRgn5Z-0IcwZSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.D8nRUg6fOF9ew0VX.mOUlEXdvom_ewDmDyveblgBSa3Sy3Vcodd2KES09NUr6yHuF9Sb9OHks6LdalGHG5ieqpoykZLMJ35BS0rvJfdUYsys3p2q2QJ9rOJNbz5JIQ9P_NKUlOD_Bj6v1u0pvLKpuG0h57KpGeUbBbTBGxkrPGB6rGQUHRT0rADA9Tva2hUxHHbsqxFMJYHzBpSn99hMGDk5BgTqaajpR4OocxcUWMtPvH0Hfye4t9ndnPPGHbkoTow3Aw9wkWLBThRiNpTo4hHYiatldvWXsXI5vLA
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Mr. and Mrs. Martin A. Ryerson Collection
Provenance
De Gueffier, Paris; sold Paillet, Paris, 1 March 1791, no. 67, “Une jeune Fille du pays de Frise, appuyée devant une croisée” (a young girl from Friesland leaning on a half-door”) together with a painting at half-length of a young soldier in armor, buckling his sword belt. François-Antoine Robit, Paris, sold Paillet and Delaroche, Paris, May 11 and following, 1801, no. 120, as a pendant to no. 119, portrait of a young warrior, for 2500 fr. to Lafontaine as an agent for Michael Bryan [see Edwards 1996, p. 304]; to George Hibbert, London [Hibbert and Sir Simon Clarke supplied the funds for Bryan’s extensive purchases at the Robit sale and retained many of the pictures]; offered for sale, Christie’s London, 13 1829, no. 68, bought in; by descent to Nathaniel Hibbert, until until 1875 [lent by him to London 1857 and memorandum dated April 28, 1905 of a conversation with Holland Hibbert in the Art Institute archives; copy in curatorial file]; by descent to A. Holland Hibbert [for this and the following transaction see the memorandum cited above]; sold by him to Prince Paul Demidoff (died 1885), San Donato, 1880; offered for sale Florence, Pillet, Le Roy and Mannheim, March 15-April 10, 1880, no. 1114, engraved, bought in [a half-length of a young warrior buckling his sword belt was no. 1120 in this sale, also engraved, and sold with 1894.1022 in the Gueffier, Robit and Hibbert sales, see Bikker 2005, no. R21]; by descent to Princess Demidoff (formerly Princess Lise Troubetzkoi), 1885; sold through Durand-Ruel, Paris, June 1890, as part of a group of Dutch and Flemish paintings, many from the Demidoff collection, with funds advanced by Martin A. Ryerson and other trustees of the Art Institute [annual report 1891]; the cost of 1894.1022 was re-imbursed by Ryerson.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.