
Cleveland Museum of Art
Egham
Francis Seymour Haden
- Date
- 1859
- Medium
- etching and drypoint
- Culture
- England, 19th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
Francis Seymour Haden worked professionally as a surgeon, experimenting avidly with etching in his spare time. He took up the medium while it was experiencing a major revival of interest in London, and he quickly developed an artistic reputation that outweighed his medical work. Most of Haden’s prints were landscapes. In this work, he cleanly wiped ink from the plate to suggest the sun’s bright light and reflection over the river.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Dundrum River and the Two Asses
Cleveland Museum of Art

Feathers Tavern
Minneapolis Institute of Art

Shere Mill Pond (The Larger Plate)
Minneapolis Institute of Art
An Early Riser
Art Institute of Chicago

Stems (A Study)
Minneapolis Institute of Art

Shere Mill Pond II
Minneapolis Institute of Art

A By-Road in Tipperary
Cleveland Museum of Art
Egham
Art Institute of Chicago

Evening
Minneapolis Institute of Art
Portrait of Francis Seymour Haden, No. 2 (While Etching)
Art Institute of Chicago

A Lancashire River
Minneapolis Institute of Art

Egham
Cleveland Museum of Art