
Cleveland Museum of Art
Bullfights: Origin of the Harpoons or Banderillas
Francisco de GoyaLinkedCulture matchlcp-dc200867e871
Cleveland Museum of Art’s catalogue record
- Medium
- engraving
- Credit Line
- Charles W. Harkness Endowment Fund
- Type of artwork
- Print
- Department
- Prints
Also in Cleveland Museum of Art’s record. The museum’s own label for these fields has not been confirmed yet, so each is named by its field in the museum’s data.
- creation_date
- 1816, printed 1876
Taken from LinkedCulture’s stored copy of Cleveland Museum of Art’s record. A fresh capture of the museum’s own record has not been made for this object yet.
From LinkedCulture
This print captures the exact moment a lone figure strides toward a charging bull, arm raised to plant the banderillas, while cloaked assistants look on and spectators press against a wooden barrier above. Francisco de Goya made this engraving in 1816 as plate seven of his La Tauromaquia series, with later impressions printed in 1876. Warm aquatint tones dissolve the background into shadow, pulling all attention to the confrontation at the center. Goya treated bullfighting as a serious inquiry into Spanish identity, making this image as much cultural memory as raw spectacle.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
What the image shows
A bullfighter in traditional attire engages with a bull in a bullfighting arena.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Cleveland Museum of Art’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- 105417
- Object Type
- Print
- Cleveland Museum of Art field “Type of artwork” · copied as is
- Creator
- Francisco de Goya
- Cleveland Museum of Art field
creators(museum’s label not yet confirmed) · derived by LinkedCulture from the museum field · Artist-role creator's description with life dates removed.
- Cleveland Museum of Art field
- Culture
- Spain
- Cleveland Museum of Art field “Culture” · copied as is
- Medium
- engraving
- Cleveland Museum of Art field “Medium” · copied as is · Cleveland's 'technique' field holds materials.
- Department
- Prints
- Cleveland Museum of Art field “Department” · copied as is
- Tags
- Latine and Hispanic Artists
- male
- Cleveland Museum of Art field
tags(museum’s label not yet confirmed) · combined from several museum fields - Cleveland Museum of Art field
artists_tags(museum’s label not yet confirmed) · combined from several museum fields
- Credit Line
- Charles W. Harkness Endowment Fund
- Cleveland Museum of Art field “Credit Line” · copied as is
- Date
- 1816, printed 1876
- Cleveland Museum of Art field
creation_date(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- Begin Year
- 1816
- Cleveland Museum of Art field
creation_date_earliest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- End Year
- 1876
- Cleveland Museum of Art field
creation_date_latest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
Related across collections
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