Bullfights:  Origin of the Harpoons or Banderillas

Cleveland Museum of Art

Bullfights: Origin of the Harpoons or Banderillas

Francisco de GoyaLinkedCulture matchlcp-dc200867e871

Date
1816, printed 1876
Medium
engraving
Culture
Spain
Department
Prints
Institution
Cleveland Museum of Art
Object ID
105417

From LinkedCulture

This print captures the exact moment a lone figure strides toward a charging bull, arm raised to plant the banderillas, while cloaked assistants look on and spectators press against a wooden barrier above. Francisco de Goya made this engraving in 1816 as plate seven of his La Tauromaquia series, with later impressions printed in 1876. Warm aquatint tones dissolve the background into shadow, pulling all attention to the confrontation at the center. Goya treated bullfighting as a serious inquiry into Spanish identity, making this image as much cultural memory as raw spectacle.

Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.

What the image shows

A bullfighter in traditional attire engages with a bull in a bullfighting arena.

Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.

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Provenance & credit

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Credit line
Charles W. Harkness Endowment Fund

LinkedCulture video

Bullfights: Origin of the Harpoons or Banderillas

Sep 10, 2026 · Short

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Museum record

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