
Cleveland Museum of Art
Bullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body
Francisco de GoyaLinkedCulture matchlcp-dc200867e871
Cleveland Museum of Art’s catalogue record
- Medium
- engraving
- Credit Line
- Charles W. Harkness Endowment Fund
- Type of artwork
- Print
- Department
- Prints
Also in Cleveland Museum of Art’s record. The museum’s own label for these fields has not been confirmed yet, so each is named by its field in the museum’s data.
- creation_date
- 1816, printed 1876
Taken from LinkedCulture’s stored copy of Cleveland Museum of Art’s record. A fresh capture of the museum’s own record has not been made for this object yet.
From LinkedCulture
Martincho does not sidestep the bull. He leans straight into it, chest forward, letting the horns curve past him by inches. Goya captured this split second in his 1816 print series La Tauromaquia, using etching and aquatint to reduce the arena to two figures and a shared shadow on pale sand. It was one of the first times bullfighting was treated as a subject worthy of serious artistic documentation, not spectacle, but something closer to a reckoning.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
What the image shows
A bullfighter is engaged in a dramatic moment with a bull in a dimly lit arena.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Cleveland Museum of Art’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- 105440
- Object Type
- Print
- Cleveland Museum of Art field “Type of artwork” · copied as is
- Creator
- Francisco de Goya
- Cleveland Museum of Art field
creators(museum’s label not yet confirmed) · derived by LinkedCulture from the museum field · Artist-role creator's description with life dates removed.
- Cleveland Museum of Art field
- Culture
- Spain
- Cleveland Museum of Art field “Culture” · copied as is
- Medium
- engraving
- Cleveland Museum of Art field “Medium” · copied as is · Cleveland's 'technique' field holds materials.
- Department
- Prints
- Cleveland Museum of Art field “Department” · copied as is
- Tags
- Latine and Hispanic Artists
- male
- Cleveland Museum of Art field
tags(museum’s label not yet confirmed) · combined from several museum fields - Cleveland Museum of Art field
artists_tags(museum’s label not yet confirmed) · combined from several museum fields
- Credit Line
- Charles W. Harkness Endowment Fund
- Cleveland Museum of Art field “Credit Line” · copied as is
- Date
- 1816, printed 1876
- Cleveland Museum of Art field
creation_date(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- Begin Year
- 1816
- Cleveland Museum of Art field
creation_date_earliest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- End Year
- 1876
- Cleveland Museum of Art field
creation_date_latest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
Related across collections
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