
Cleveland Museum of Art
Views: The Canal Lock at Dolo
Antonio CanalettoLinkedCulture matchlcp-b93b70fb4b99
- Date
- 1735–46
- Medium
- etching
- Culture
- Italy, Venice
- Department
- Prints
- Institution
- Cleveland Museum of Art
- Object ID
- 107277
Antonio Canaletto took up etching as an extension of his painting practice, which consisted of representing topographical views of Venice for wealthy patrons. This print belongs to a series he made of rural scenery outside the city—here, the village of Dolo and its canal. Etching provided the artist with a means of formal experimentation, and he became a master of describing Venice’s distinctive buildings and the reflections and shadows from its many canals. Prints also provided the artist with a steady income; this series was likely marketed to affluent British tourists as a souvenir. Dolo, the town depicted here, was a popular site of country homes for wealthy inhabitants of Venice nearby.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of The Print Club of Cleveland
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.