
Cleveland Museum of Art
On Death, Part I
Max Klinger
- Date
- 1889
- Medium
- etching and aquatint
- Culture
- Germany, late 19th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
In On Death, Part One , a series of ten etchings, the Symbolist Max Klinger envisioned the ephemeral nature of life and the suddenness of death, themes that prompted one contemporary critic to call the portfolio a modern "Dance of Death." In Night , the first in the series, a man sits on a bench in an enclosed garden. A moonbeam breaks through the clouds over the sea, and on the path to the right is a lily with a fluttering butterfly. The landscape seems an extension of the figure’s melancholy thoughts, a landscape of the mind.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI)
Cleveland Museum of Art

Child, from On Death, Part I, Opus XI (Kind, Vom Tode, Erster Teil, Opus XI)
Cleveland Museum of Art
Night, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums
Night, from On Death Part I
Art Institute of Chicago
On the Tracks, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums
Title page from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums
Death as Savior, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums
Road, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums

Zweite Zukunft
Minneapolis Institute of Art

A Dead Woman, from the series Death and the Maiden, 1902
Minneapolis Institute of Art
Sea, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums
Farmer, from the portfolio "On Death, Part One, Opus XI"
Harvard Art Museums