
Cleveland Museum of Art
The Law is too Slow
George Bellows
- Date
- 1923
- Medium
- lithograph
- Culture
- America
- Department
- Prints
- Institution
- Cleveland Museum of Art
Bellows made this lithograph to illustrate "Nemesis," a fictitious anti-lynching story written by Mary Johnston and published in Century Magazine in May 1923. In the story, a Black man is accused of attacking and killing a white woman; he is then lynched by a mob of white men, all of whom subsequently fall upon misfortune themselves. Bellows portrays the gruesome lynching by highlighting the Black man's strong, illuminated body and surrounding it with an unfeeling mob of white men, some of whom watch as if at a sporting event. The glow of the fire highlights the lynched man's physical as well as internal strength, and visual resonances with Catholic imagery of deaths of saints imply the man's martyrdom. The title of the print may refer both to a twisted justification for lynching cited by racists during the Jim Crow era, as well as to the United States Congress's failure to pass anti-lynching laws.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Mary Turner
Harvard Art Museums
Ernest Glenwood
Harvard Art Museums

The White Hope
Cleveland Museum of Art

The Barricade No. 2
Minneapolis Institute of Art

The Drunk
Cleveland Museum of Art
Anthony Crawford
Harvard Art Museums
Blow for Blow
Harvard Art Museums

A Stag at Sharkey's
Minneapolis Institute of Art

The Holdup, first state
Cleveland Museum of Art

The Hag and the Young Man
Cleveland Museum of Art

Sint Joris en de draak
Rijksmuseum

A Knockout
Cleveland Museum of Art