Alarums and Excursions

Cleveland Museum of Art

Alarums and Excursions

Maxfield ParrishLinkedCulture matchlcp-b217358df261

Date
1899
Medium
brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink
Culture
America
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
119922

From the Cleveland Museum of Art record

Alarums and Excursions is one of nineteen illustrations the young Maxfield Parrish created for Kenneth Grahame’s The Golden Age, a children’s book published in 1899. In the chapter Alarums accompanies, the narrator persuades a friend to join him in a make-believe of Arthurian legends. Parrish depicted one of the boys in the midst of their playful fantasy, as he prepares to strike an enormous, coiled serpent. Parrish rendered the scene in crisp detail, using flat, delicate washes of monochrome ink, strong linear contours, and scintillating pricks of white gouache on the boy’s chainmail. Parrish’s designs found mainstream success in a variety of print media, making him one of the best-known illustrators of the 20th century. Parrish employs a technique called sgraffito (“to scratch”) on the serpent’s tongue, producing its mottled texture by scraping away the upper layer of paper.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.BfQMPsLXTGpmEEgH.3_LO7cdcM0eomB9DxJIY5Rpm0ywH5qtHEJVcNnFcJwffZrUoUU-pqD78ePf2RUiLnKVlPLJXwXwq5vc-4EmCUCSfHix0i-vF6HRZ0xvtONaIk8arTXk5ju6EZ-eibe8bERlm0assu5mh6QyxsN062GpGBdyitWjyEDMGjMjjAlVv52n999v-nACgfvdToNzOLUcK4Bk1L04aWN44wJqFykh576sOgrt5EfrHP37y2f5QbtT6HnZxHRaqaJNYnq5DC9o47v7V23jMIGqrPNrCdGdgE8SYmfKZ6tQs4bsWGuenuazTEwSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.N9zFbL3LXvSmq-L3.9Uswn6m4x-Czff9HZ8oVlyeNJFi7S6VoKPpmfg4f-liawHcH2S3wWoCsL1SeGi_t7L7YwPd6uf8dt9sMicHvL0pGWjpaGe3_7iVY1nblgTAj_6eeP6FZi3qOushrAmjXgibomI3Z6qX6zn0xpbvsqHkuwppnUMAWz9QaTIH6ZWQG5V5b0uN0zEQy0IqA7hrQwhZibMPbzE_EAQ-1mmtec57Do7BQncNQEMUT5gkcoLCZ5RaaZtOTkfOUtXw7NHOlJgdbA2iwQ2fK-MFQk6aVRjwIKV6fHzjh1NlFQaI1FA
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Bequest of James Parmelee
Provenance
1899-?: (Frederick Keppel & Co., New York, NY.) | ?-1940: James C. [1855-1931] and Alice W. [1862-1940] Parmelee, Cleveland, OH, bequest to The Cleveland Museum of Art. | 1940-: The Cleveland Museum of Art, Cleveland, OH.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.