Portrait of the Hon. Anne Annesley, later Countess of Mountnorris

Cleveland Museum of Art

Portrait of the Hon. Anne Annesley, later Countess of Mountnorris

Richard CoswayLinkedCulture matchlcp-2234a2605da8

Date
c. 1800
Medium
watercolor on ivory in a gold frame
Culture
England, 19th century
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
121266

From the Cleveland Museum of Art record

Anne Annesley (née Courtenay, 1774–1835) was the eighth daughter of William 2nd Viscount Courtenay, and sister of William 3rd Viscount Courtenay, who commissioned numerous paintings of himself and his six sisters from Richard Cosway in oil and miniature. William’s expenditure for these works between 1790 and 1812 reached £1,370, a bill that wasn’t paid in full until 1820. Anne married George Annesley, later 2nd Earl of Mountnorris, in September 1790. Cosway, who frequently depicted female sitters in gauzy white gowns, lavished attention on Anne’s attire. Her pale yellow coat is lined with fur that is sensitively delineated with a combination of short brushstrokes distinct from those that form her dark, wavy hair. Fur-trimmed jackets like this one would probably have been worn indoors by women during the colder months. Another version of this portrait is nearly identical to the Cleveland miniature and was likely for another friend or member of Anne's family.

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Provenance & credit

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Credit line
The Edward B. Greene Collection
Provenance
Before 1929: C. W. F. Baker-Courtenay, Cumberland, England | November 1929: (Sale: Christie's London, Nov. 1929). | -1929: (Leo Schidlof (1886-1966), Paris, France, sold to Edward B. Greene). | After 1929-1942: Edward B. Greene (1878-1957), Cleveland, OH, gifted to the Cleveland Museum of Art | 1942-: The Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

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